The melody follows “Do battle” as the band’s subsequent chief.
Interestingly beginning around 2017, Nothing More has a No. 1 tune on Announcement’s Standard Stone Airplay diagram.
“In the event that It Doesn’t Do any harm” moves to the highest point of the June 29-dated positioning, turning into the Texas rockers’ subsequent ruler. The band previously drove with “Do battle” for multi week in December 2017.
In the middle between “Do battle” and “On the off chance that It Doesn’t Do any harm,” Nothing More arrived at Standard Stone Airplay with five sections, including three top 10s, drove by the No. 5-cresting “Burnt out on Winning” in 2022. The band originally made the rundown in 2014 with the No. 2-coming to “Counterbalance.”
Simultaneously, “On the off chance that It Doesn’t Do any harm” jumps 14-10 on the all-rock-design, crowd based Rock and Option Airplay study with 2.6 million crowd impressions, up 2%, in the week finishing June 20, as per Luminate. It’s the band’s most memorable top 10, surpassing the No. 12 pinnacle of “Do battle.”
On the most as of late distributed multimetric Hot Hard Rock Tunes graph (dated June 22, reflecting information over June 7-13), “On the off chance that It Doesn’t Do any harm” positioned at No. 12 (in the wake of appearing at its No. 8 high in February). Notwithstanding its radio airplay, the melody procured 550,000 authority U.S. streams.
“On the off chance that It Doesn’t Do any harm” is the lead single from Lustful, Nothing More’s seventh studio collection, due June 28. Two different tunes from the LP, “House on Sand” (including Eric Vanlerberghe) and “Heavenly messenger Melody” (highlighting David Draiman), arrived at Nos. 11 and 15, separately, on Hot Hard Rock Tunes upon their introductions. Fleshly Isn’t anything All the more’s most memorable collection since 2022’s Spirits, which bowed at No. 14 on the Top Hard Rock Collections count and has procured 48,000 comparable collection units to date.
All Bulletin graphs dated June 29 will refresh on Billboard.com Tuesday, June 25.
