Considered a rising symbol in the up and coming age of Korea’s young performers, Youngji has large plans in the wake of delivering her most memorable EP and breakout hit single: “This visit isn’t even the initial step.”
In Korea’s mainstream society scene, Lee Youngji is a name now inseparable from dynamic and unfiltered diversion, best seen through her viral Not a lot Pre-arranged YouTube series, where she imparts beverages to individuals from K-pop supergroups like BTS, BLACKPINK and SEVENTEEN. Notwithstanding, 2024 imprints a critical year for the 21-year-old as she hopes to get back to her underlying foundations in music and spotlight her ability as an entertainer and performer. Regardless of whether many fans could perceive her first as the comedic force behind some of K-pop’s most remarkable meetings, Youngji’s excursion in diversion started with music — not entirely settled to help everybody to remember that on her continuous world visit that stirs things up around town. toward the finish of August.
The arrival of her introduction collection, June’s 16 Dream, denoted an intense explanation of her imaginative personality and the commitment displayed for her melodic future. The lead single, “Little Child” highlighting EXO’s D.O., beat out all competitors in South Korea as well as broke into the Main 40 of the Announcement Worldwide 200. In the interim, b-side cuts like Lee’s “ADHD Young lady,” in addition to her hit coordinated efforts with top behaves like Dynamicduo and BSS, all show her flexibility and capacities to move forward and step up for each new tune discharge.
“This year is truly significant for me artistically,” Youngji reflects during a night FaceTime call from Seoul in front of the U.S. leg of her visit. “I’ve had a great deal of joint efforts and I have a theatrical presentation on my YouTube channel, such countless individuals realize me through bunches of occupations… however I need to highlight my performer mode this year.”
As she leaves on the U.S. leg of her Win big or bust World Visit, Lee Youngji is anxious to interface with fans in a more close setting, carrying her music to the stage as well as the special individual energy that is made her such a breakout star among the up and coming age of Korean-pop performers.
“I will quite often attempt to truly speak with the crowd, ask them inquiries, simply attempt to converse with them and I feel that U. S. fans will appreciate that a great deal,” she expresses, indicating the intuitive and individual nature of her stage arrangement. The Go big or go home Visit is a greater amount of a greeting for fans to encounter Lee Youngji in her most flawless structure as a performer and performer. And keeping in mind that she probably won’t have the option to enjoy her popular on-camera drinking with her crowd — despite the fact that she lets Bulletin know that she truly needs to — she’s prepared to bring that equivalent unconstrained and real association with each show.
Peruse on for more with Lee Youngji sharing about her Stateside visit, her large year in music, recollections with some top K-pop stars and what’s coming straightaway.